Evangeline holds an MFA in Acting from CalArts and has, at this point, multiple decades of experience doing many forms of acting. Below are a few samples, including film and voiceover.
The ArtFelt Podcast follows 4 different artists (a musician, a comedian, a writer and a director) as they go on the 12-week journey of Julia Cameron’s creativity guide, The Artist’s Way. Yes, there is humor! Why, yes, moments of reckoning as well. Also…moments of community as 4 different people support each other to make their art and feel their feels. Listen on Apple Podcasts or Spotify. Official Website: ArtFeltPod.com.
Evangeline is one half of a dream-pop duo called Glamour Pony. It’s electronic music you can dance to, with fiercely frivolous visuals. Imagine if the White Stripes watched a ton of Anime and went Glamping every weekend…that’s Glamour Pony. She directs, designs and edits all of the music videos.
Pepper’n’Snatch’s Cowgirl Cabaret is an intersectional feminist variety show that asks the important question: Yee-Haw?
Imagine that each phase of grief exists in the different rooms of a house; anger is in the kitchen popping out of the fridge, acceptance is on a bookshelf in the living room, and depression is in the closet with the Grief Monster. The Grief Party is a short film based on my one woman show, Chrysalis, adapted and directed by Amelia Mulkey. The Grief Party seeks to entertain and prepare those who have not experienced loss and hold hands with those who have.
Pomegranate is the critically-acclaimed re-imagining of the Greek myth of Persephone. Told entirely in shadow, the story focuses on the relationship between young Persephone and her mother, Demeter. Caught between two worlds, her future and her past, her natal family and her new relationship with the caring but troubled Hades, Persephone must navigate two worlds in order to embody her fullest expression of self. A hit at the Edinburgh Fringe Festival in 2014, Pomegranate boasts a cover story in Fest magazine as well as numerous 5-star reviews.
Philia is an Electronic musical fairytale about slut shaming. Based on the short story Philematophilia by Traci Chee, the story follows Helena, a teenage girl whose magical power is that anyone she kisses experiences a glorious transformation: frog becomes prince, beast becomes man, nerd becomes popular soccer jock. But Helena’s only transformation is that everyone seems to be labeling her for kissing so many people. With a catchy original electronic musical score by Nick Rattray of Glamour Pony, this show asks…what is the price girls pay to become women?
Chrysalis is a solo tragicomedy at the crossroads of grief and growing up. Using puppetry, music, comedy and a general sense of whimsy, this piece was intended to bring to light some of the aspects of grief that are rarely spoken about; the humor, the unexpected discoveries and the pathways to healing. Written and performed over several years and selected as part of the New York International Fringe Festival, the performance ultimately evolved into a short film called The Grief Party.
A pro-queer, pro-weird monthly cabaret in New York City from 2009-2011. Co-hosted and produced with Nicolette Dixon.
Tricycle Theatre existed as a 3-woman performance supertroupe, creating themed "snapshot" shows that interwove music, theater, circus and magic into seasonally-themed performance pieces. The spring show, "Chance (and other Games of Love)" is pictured. New York City, 2009-2011.
